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Abbotteque flatland, but Ian Stewart’s Flatterland: Like Flatland, Only More So (2001)—in which A Straight’s offspring Victoria Pen-mark undertakes an instructive voyage through the multiverse—is much more overambitious in its conceptual demands. Kim Stanley Robinson’s ‘‘The Sightless Geometer’’ (1987) finds that his scarcity of spectacle enables him to discharge the limitations of Euclidean grasp and reconnoitre the geometries of n-dimensional manifolds, but is inevitably distanced from the reader—although a reader’s proficiency to convert a extended and intricately folded file of symbols into a breed of understood encounter is a technique of enterprising transfiguration that might seem similarly astounding were it not so commonplace....
